Best Nikon Lenses for Wedding Photography

What are the best Nikon lenses for wedding photography? This question comes up so often via comments and emails from our readers, that I was first going to include it in our Photography FAQ section, but then decided to write a separate article and elaborate on the subject a little more. Specifically, I want to not only write about what lenses I think are the best for weddings, but also why and in which cases we use a particular lens. Please keep in mind that the information I present below is a personal opinion based on my experience so far. If you have a favorite lens of yours for wedding photography that is not listed below, please feel free to add a comment on the bottom of the page with some information and pictures (if you have any that you would like to share).

1) Nikon 50mm f/1.4G AF-S

Nikon 50mm f/1.4G AF-S

I have always been a fan of the 50mm primes. The older Nikon 50mm f/1.4D is also excellent, but the heptagon-shaped bokeh it produces is a little distracting, so I like the newer “G” version instead. On a full-frame body, the 50mm focal length is ideal and you can capture both beautiful portraits and full-size body shots if you stand a little away from your subjects. It works equally well on a DX body, but the focal length can be a little long, which is certainly a disadvantage when working in tight spaces. If I were only allowed to use one lens for weddings, I would certainly pick the Nikon 50mm f/1.4G. See a detailed Nikon 50mm f/1.4G Review for more information on this lens.

2) Nikon 85mm f/1.4D/G

If you want the best-looking, creamy bokeh, check out the Nikon 85mm f/1.4G or the older Nikon 85mm f/1.4D, our second most favorite lens for wedding photography. Most photographers associate the word bokeh with this lens for a reason – it is the king of background blur. It is also one of the sharpest lenses from Nikon, producing outstanding results at maximum aperture of f/1.4.

Nikon 85mm f/1.4D

At maximum aperture the depth of field is so shallow, that if you stand too close to your subject and focus on the eye, the nose gets out of focus. I typically shoot between f/2.0 and f/2.8 for portraits and f/4.0 every once in a while if I need more depth of field. field. Lola also loves it and she has been using it a lot for her portrait sessions and weddings lately.

3) Nikon 70-200mm f/2.8G VR II

I got my hands on the new Nikon 70-200mm f/2.8G VR II as soon as it became available, because I knew that it would be much better than the old one, which I always enjoyed shooting with. The nice thing about the 70-200mm, is that it gives you so much focal length to play with.

Nikon 70-200mm f2.8G ED VR II

When you shoot with prime lenses like the Nikon 50mm or Nikon 85mm, you almost have to engage with people, because they will certainly note your presence due to your proximity. The Nikon 70-200mm allows you to capture subjects from a distance in their natural state, without drawing their attention to you. It is a very versatile lens and it works great with all Nikon teleconverters, if you feel that the focal length is not sufficient. Sharpness and color are outstanding at all focal lengths and the bokeh on the 70-200mm is also superb. The only complaint that I have about the 70-200mm is its weight – Lola never uses it because it is too painful to carry. Periodic shooting with this lens is not as bad, but I had a lot of back pain after shooting our last wedding with it all day long…not something I want to do again. Combine the weight of a pro-level body like Nikon D3s and it becomes one heavy combo. 

4) Nikon 24mm f/1.4G AF-S

While it is not designed to be a great portrait lens like the 85mm or 70-200mm lenses, it can certainly do the job quite well in the bokeh department with its maximum aperture of f/1.4. Just like other f/1.4 prime lenses, it is great for low-light situations, especially towards the end of the wedding when the amount of ambient light diminishes to very challenging levels.

5) Nikon 24-70mm f/2.8G

The Nikon 24-70mm f/2.8G has been one of my favorite lenses for landscape photography ever since it was released. While it is not as sharp as the Nikon 24mm f/1.4G and suffers from heavy distortion/vignetting between 24mm-28mm focal lengths, its versatility to zoom all the way to 70mm compensates for the problems. I rediscovered this lens when I started photographing people and I have been very pleased with the beautiful and colorful images it creates. It is certainly not a lens of choice for isolating subjects and creating beautiful bokeh, but if you stand close enough to your subject and shoot at f/2.8 and use focal lengths above 35mm, you will get pretty impressive results.

Nikon 24-70mm f/2.8G

The Nikon 24-70mm f/2.8G is a great lens for photographing full body shots and it does equally well when taking pictures of groups